Monday, May 24, 2010
friendship
I did a shoot yesterday with one of my oldest friends from here in the US. It actually was a trade, Evenie is an amazing jewelry designer (on hiatus unfortunately, she now works for Tiffany's) so I traded the shoot for some original jewelry of hers which I adore. She wanted to do a shoot for her husband so unfortunately this was a closed door shoot and I won't be posting pics (besides the one above) since they are private and on the racy side :) ..... it's unfortunate though since she looked lovely in a lot of them and she has a killer body.
Evenie is literally one of the first persons I met when I came to the US. To be honest, when I first met her I wasn't sure what to think of her. I still remember how this little 5'1, crazy, Puerto Rican girl entered the room, laughing and greeting everybody. You must understand that I had just come over from Switzerland where people are far more reserved, especially in a situation where you don't know anybody. But I realized quickly this girl is a lot of fun. I'm sometimes amazed that we stayed friends over all these years (it's been 16 years) especially since we don't see each other very often. Somehow we still manage to stay close and whenever we do see or talk to each other it's like she's always been around. The thing I most value about her is how straight forward and honest she is. You always know what's going on with her. She will tell you what she is thinking or if she doesn't like something and she is consistent. Recently my friend Virginia used a quote about art that I felt you could also use to describe friendships: "True friendships survive the test of time"
Monday, April 26, 2010
~
It's been a while..... honestly I've been feeling completely uninspired. Plus I've been going through a "I hate photography phase".....
I finally after months had another shoot and only because it was a commission. Because I was in such a funk I almost didn't accept but now I'm glad I did because I had a good time. I loved how pale her actual skin was. If you're familiar with my work then you know how much I like pale skin. I asked her to look sad and she actually shed a tear! When I saw that I was so happy,..... is that wrong? :) She wanted a nightmare/dream/dark.... theme and well, this is what I came up with. As always I had no time to prepare and did everything the day of the shoot. It was a crazy morning spent looking for stuff I wanted to use, cutting out those damn stars and picking cloths for the outfit. I wonder if I'll ever give myself enough time to not have to do everything the day of the shoot. Lauren Weber did the make up and was her usual fantastic self.
Sunday, February 28, 2010
Inspiration
A new shoot is in the works. But I'll be honest I'm not totally feeling it these days and there's just so many things going on..... blah blah.
Anyway I wanted to post a few pics I took of Ilya Gaft. He's the owner of the New York Ballet Institute. Ilya's life story is long but in a nut shell he was born and raised in Russia. He spent his life studying ballet and pretty much devoted his life to ballet. He entered the famous Kirov ballet school in Saint Petersburg where he became a principal dancer and later a choreographer. Later he left Russia with nothing and started all over again in the US (with some stops in Europe). He worked for many years in NYC with his own theater company that he ran with his wife Zoya who was also a dancer (and opera singer). After suffering a heart attack he decided to settle outside of the city where today he still runs his own school. He is now 75 years old and teaches ballet everyday. He still moves amazingly well and it is astonishing how he comes up with routines on the fly, often I think his mind works better then mine. He lives and breaths ballet. The most fascinating thing to me is how emotional he is. When he is in a bad mood or a good mood you can always tell because it will reflect on his routines. Sometimes he closes his eyes and makes us listen to a particular part of a song because it is so beautiful. He puts a lot of emphasis on understanding the emotional side of dancing not just the technical side.
Wednesday, February 3, 2010
Postcard Art Benefit

4"x6" birch wood postcards
Medium: colored pencil, micron pens and glossy varnish.
Here are my two pieces for the Brownstones to Red Dirt Art Benefit, the deadline is tomorrow. I'm not happy with the scan, they just don't look quite right, and they don't show off the gloss varnish. I tried scanning them a few times but couldn't get them much better. As mentioned all the postcards will be for sale on Ebay on March 6rd. All the money from the benefit will go to the orphans in Freetown, Sierra Leone. I'm actually very excited about the auction and am hoping to get my hands on some of the original art works. I've got my eye on Jeremy Geddes, Olivier Tossan and Dermont Powers pieces........... so stay away from those :)!
Thursday, January 14, 2010
Sunday, December 20, 2009
La Vie En Rose
I was happy with the way the dress turned out. It's the same painted fabric as the background. Feels a bit like paper. It amazes me is how perfect Shelleys skin is. Granted she's wearing a ton of make up (on face and body) but still her skin is so smooth. Pretty girl.






Model: Shelley H.
Make Up: Lauren Weber
Make Up: Lauren Weber
Tuesday, December 15, 2009
La Vie En Rose - Preview
Finally. I can't believe my last shoot was in August. I was excited to work with Shelley. I saw her in a restaurant and spontaneously decided to ask her if she'd sit for a portrait. We literally spoke for about 2 minutes and I gave her my card. She called me back the next day and agreed. I have to admit I was a tad nervous since it's been months since I had met her and I knew nothing about her. Also was nervous that she might bail out the last minute. Not only was she reliable, she was incredible to work with. I always have a clear vision of what I want the shoot to end up looking like and it's amazing when it actually works out. She was totally what I had in my mind. And that girl has stamina she sat still on that chair for hours, never complained.

As for the set. The big thing was that I really wanted to paint the backdrop. I wanted it to feel a bit like a painting. I also wanted her to wear the same painted fabric so she would blend in more with the background. I have never painted on fabric before and didn't know what I was doing. Since I needed a large quantity of paint I couldn't use fabric paint. I found on the Internet a product called textile medium that I mixed in with the paint. This prevented the paint from cracking. I didn't want to pay a lot of money for the paint so I just bought some cheapo kids paint. I had NO time to prepare for this shoot. I wanted to stain her finger tips red and didn't have time to properly test the staining out, ended up using a combination of food coloring, juice and icing. I started ironing the backdrop a few days before because it literally takes days to get all the damn wrinkles out, if you've been following my blog you know by now that I'm obsessed with wrinkles. The night before I started painting the backdrop. I didn't finish until 2am. I was worried that it wouldn't dry in time. This was especially a problem since she was to wear part of the fabric as a dress.
Everything went smoothly. I set up the heaters in front of the drying paint and it actually was all dry in time. The only major problem was that the hairstylist cancelled a half hour before the shoot. That sent me in bit of a panic mode. I'm not very good at doing hair plus I brought nothing with me to actually do hair! So I ran over to Duane Read and bought a cheapo curling iron and a huge can of ultra strong hairspray. In the end I have to admit I didn't need anybody to do hair anyway since I went with open hair. Lauren did make up, she's so talented. I was very specific about what I wanted and she nailed it, love her! Shelley I would work with again any day.
This shoot was all about color and feel.

As for the set. The big thing was that I really wanted to paint the backdrop. I wanted it to feel a bit like a painting. I also wanted her to wear the same painted fabric so she would blend in more with the background. I have never painted on fabric before and didn't know what I was doing. Since I needed a large quantity of paint I couldn't use fabric paint. I found on the Internet a product called textile medium that I mixed in with the paint. This prevented the paint from cracking. I didn't want to pay a lot of money for the paint so I just bought some cheapo kids paint. I had NO time to prepare for this shoot. I wanted to stain her finger tips red and didn't have time to properly test the staining out, ended up using a combination of food coloring, juice and icing. I started ironing the backdrop a few days before because it literally takes days to get all the damn wrinkles out, if you've been following my blog you know by now that I'm obsessed with wrinkles. The night before I started painting the backdrop. I didn't finish until 2am. I was worried that it wouldn't dry in time. This was especially a problem since she was to wear part of the fabric as a dress.
Everything went smoothly. I set up the heaters in front of the drying paint and it actually was all dry in time. The only major problem was that the hairstylist cancelled a half hour before the shoot. That sent me in bit of a panic mode. I'm not very good at doing hair plus I brought nothing with me to actually do hair! So I ran over to Duane Read and bought a cheapo curling iron and a huge can of ultra strong hairspray. In the end I have to admit I didn't need anybody to do hair anyway since I went with open hair. Lauren did make up, she's so talented. I was very specific about what I wanted and she nailed it, love her! Shelley I would work with again any day.
This shoot was all about color and feel.
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